Kassen wrote:
Well, I'm sorry but that won't work. Writing to parameters has to be done explicidly at some controll rate (or at least in some sort of known series of events).
:-( Well I appreciate the power inherent power with the way chuck works. My problem with accepting that is not so much conceptual as code modularity. All of the examples (however fine they are) are stand-alone programs that have to think of all aspects. But what I really, really need to do is to be able to (sometimes) seperate "the patch" from "the notes". IOW I need to encapsulate some kind of instrumental idea and be able to reuse it everywhere. AFAICS the need to explicit worry about timing when modulating something makes that close to impossible. The instrument shouldn't care if it's requested to play for 1::ms or 1::week, however to me (but I'm still new to chuck concepts + tricks) this seems to be totally intertwined with what informaion the caller has. How does everyone go about modualizing their setup, thus seperating noise making from note making? BTW: I can of course think of a lot of situations where this seperation of instrument/score (old csounder here) doesn't make sense, and I already use alot of that. But sometimes I just want to encapsulate that nice bassdrumm sound for reuse... -- peace, love & harmony Atte http://www.atte.dk | quartet: http://www.anagrammer.dk http://www.atte.dk/gps | compositions: http://www.atte.dk/compositions