18 Sep
2007
18 Sep
'07
9:04 a.m.
Like a previous writer, I am interested in how ChucK can be used for "live coding". From my limited explorations I have discovered some of the same limitations, but in this thread would prefer to ask "How do you use ChucK for live coding?" And: "What techniques are there to facilitate the process?" Further: "How has ChucK informed your practice? What attributes of the language and environment have changed your sound production?" Maybe there are already some articles on this I can be pointed to. While we're on the topic, the term "live coding" seems deficient to me, because it totally fails to mention the sound. None of the common alternatives remedy this fundamental (music pun) problem. -- robin