[chuck-users] Book of discussion ?
Prabhu Ram
prabhuram at stagtravellers.com
Thu May 22 03:53:33 EDT 2008
HI Mike,
I am Prabhu Ram, a newbie to the Chuck world. Reading the
post, can you kindly mention which book is being appreciated.
Regards
Prabhu
Mike McGonagle wrote:
>
>
> On Tue, May 20, 2008 at 2:37 PM, Kassen <signal.automatique at gmail.com
> <mailto:signal.automatique at gmail.com>> wrote:
>
> 2008/5/20 Mike McGonagle <mjmogo at gmail.com <mailto:mjmogo at gmail.com>>:
>
>
> Thanks, while I have to still read your whole post, I kind of
> figured this is what you meant. Guess after a while of hearing
> a particular word, it starts to lose some of its meaning... I
> will have to read your whole post now, as it looks on first
> glance to be worth reading MORE than once...
>
>
> If it looks like this is "hard" stuff that's entirely my fault. On
> some level you already know all of this; knocking on a door with
> the palm of your hand will sound different from how it does when
> you knock it with your knuckles. It'll sound different in a few
> ways at the same time (spectral content, volume, decay time etc)
> after changing a single parameter. The ways in which is sounds
> different could also be accomplished in other ways, like for
> example knocking harder.
>
>
> My comment about having to read it was more because I am at work, and
> didn't really have time at that moment. I guess my interest in hearing
> your descriptions is because I don't (at least I haven't yet) tried to
> create a realtime interface, and my idea of "mapping" is how to
> control various parameters with various types of control signals. One
> thing that I have done is to use fractal equations (who hasn't, right)
> to control various parameters of a simple sinewave grain. The
> parameters I use are "onset, pitch, amplitude, attack slope, decay
> slope, phase, and placement". On the one hand, I have found some
> really nice combinations, but more often than not, it still feels like
> I am "shooting in the dark".
>
> I have thought about trying to implement some sort of "searching"
> method that allows me to "audition" various random parameter set
> possibilities, and then use those results to "compose" something later.
>
> Also, your comment about "changing a single parameter" can be very
> minimal or extremely different. I have used my same set of parameters
> "onset, etc..." without addressing the phase of the sinewave, and it
> amazes me how "dull" the sound is. Just that one parameter can make
> the difference between "an experiment" or a "piece of music/sound
> sculpture".
>
>
>
> There's nothing new here, it's just like with so many other things
> one might want to put in code; you have to be concious of the
> phenomenon to type it up (or take it into account).
>
>
> I think this concept is very similar to something that Wendy Carlos
> said in an interview. She had originally thought that through the use
> of record, she would be able to eliminate the "performer", but in
> doing so, she said that she found herself being forced into the role
> of "performer".
>
> So to speak, to get the "ghost in the machine" to sing, she had to
> learn how to play the instrument.
>
> Isn't that what we are trying to do here? Learn how to play this
> "granular instrument"?
>
>
>
>
>
> Just as a thank you, I also ordered a copy of Microsound, and
> hope to have it next week.
>
>
> Not being Curtis Roads I'm not sure exactly *how* this thanks me
> but I appreciate the gesture :¬). I don't think you'll regret that
> buy, it's the kind of book that'll be with you for years as a
> reference and source of inspiration.
>
>
> I was thinking it was you that mentioned it on the list here, maybe it
> was someone else..
>
>
>
>
> Happy synthesising,
>
>
> I will have to keep remembering this when I get to some of those
> parameter combinations that aren't all that good...
>
> Mike
>
>
>
>
> Kas.
>
>
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>
>
> --
> Peace may sound simple—one beautiful word— but it requires everything
> we have, every quality, every strength, every dream, every high ideal.
> —Yehudi Menuhin (1916–1999), musician
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