[chuck-users] chuck for live performance

田岡 卓 digitaltaokatakashi at mac.com
Tue May 18 18:07:59 EDT 2010


I'm had at Live Performanse of Chuck.


SqrOsc n => SawOsc p1 =>HPF hpf => LPF lpf => Chorus r =>Pan2 p =>dac;

p1 => blackhole;
//////LFO moduration  OSC///////
PulseOsc o =>blackhole;
PulseOsc lfo;

5 =>lfo.freq;
1 => lfo.gain;


.999 => o.width;
1 => o.gain;
11 => o.freq;


//////////reverb///////////////

2 => r.modDepth;//MAX::3!!
2 => r.modFreq;
.1 => r.mix;


///hpf 3~ too bad!!!~////
20 =>hpf.freq;
16000=> lpf.freq;

110/2 => n.freq;
10 => n.gain;

 p =>blackhole;
2 => p1.gain;
110 => p1.freq;
44 => p1.phase;
//Std.rand2(.15,0.9)=> p1.width;
//.50 => p1.width;



15 => float t;
// Pan smaller == smoother
150::ms => dur T;
/////////////////////////////////////
// carrier frequency
4 => float cf;
// modulator frequency
440*12 => float qf => p1.freq;
// index of modulation
10 => float index;
/////////////////////////////////////
// time-loop
while( true )
{
    
    110/3 => n.freq;
    10 => n.gain;
    // modulate
    qf + (index * qf * p1.last()+ t ) => p1.freq;
    Math.sin(t) => p.pan;
    T / 1::ms *10 +=> t;  
    // advance time by 1 samp
    (now + 1::samp) => now;
    //140::ms =>now;
    
    Math.sin(t) => p.gain;
//    Math.sin(100) => p1.width;
    
     ((lfo.last() + 1.0) / 4.0) * 4 => o.gain;
        125::ms => now;
    
    
    
    
    55/2 =>n.freq;    
    // p =>blackhole;
    3 => p1.gain;
    //110 => p1.freq;
    1/3 => p1.phase;//////point !!!!"%"or"/"is difference print!!!
    //Std.rand2(.15,0.9)=> p1.width;
    
    
    //.0001=perc;//
    Math.sin(.1) => p1.width;
    
    10 => float index;
    125::ms + now => now;
    
    
}



while(true){
        
    (100::samp + now) => now;
    
}

a,simple code but able very frex soundcontrol.

takashi



On 2010/05/19, at 3:09, Stefan Blixt wrote:

> I've use ChucK a lot for recording my guitar and then do stuff with it, controlled by a Roland PK-5A (an organ-style pedal MIDI controller). It works great! Ive used LiSa for this. If working with organ bass pedals feels strange I've heard good stuff about the Behringer FCB1010.
> 
> My view is that you don't need anything besides ChucK to get this to work - in fact, other stuff would only get in the way. But that's just me. (Granted I've done this sort of thing on the NMG2 as well, but I didn't mix it with ChucK - I use one instrument at a time).
> 
> For particular issues with LiSa or other things, do a post and quite probably me or someone else can help out (I think electro-music.com is better for that kind of stuff, though this mailing list also works I guess). One thing I struggled with (possibly only a problem on the MOTU units) was getting the right input in to ChucK.
> 
> /Stefan
> 
> 2010/5/18 mike clemow <michaelclemow at gmail.com>
> I've always used the comments at the end of the file examples/special/readme-LiSa2.ck as an LiSa Ugen API reference, although I think that there are still many undocumented "features" of LiSa.  I'd love to have a basic example for this--all our LiSa examples do granular munging, which is only one trick in the canon (and the least basic one at that).  I'd be glad to add my $0.02 to a basic example of a rather under-used Ugen.
> 
> Cheers,
> Mike
> 
> 2010/5/18 Kassen <signal.automatique at gmail.com>
> 
> I've never been able to grok LiSa -- the doc and examples leave me
> confused.  Maybe could someone write up an example that demonstrates
> the basic Echoplex use case?
> 
> 
> We lack a example like that? That's a issue, imho. We need something like that in the examples dir; it'd be useful and aside from the literal working demonstrate a example of how we can integrate ChucK in (electro) acoustical setups.
> 
> I'll make one this week, remind me if I slack on this. I "need" one anyway as I've been meaning to get into the electric guitar that I got out of a bass-player's trash when he was moving :-)
> 
> Yours,
> Kas.
> 
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> http://semiotech.org
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