- chuck-users - lists.cs.princeton.edu

watchdog activate!
by Andrew C. Smith 01 Oct '09

01 Oct '09

[chuck]:(3:SEVERE): real-time watchdog counter-measure activating... What does that mean? How can I fix it? The shell/--loop prints it (and then stops working) fairly often, usually when I hit lots of notes really fast. Andrew

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object / class hacking
by Robert Poor 01 Oct '09

01 Oct '09

Chucksters: Three questions in one message (generally a bad idea, but they're short): [1] Accessing class name from an object I seem to recall seeing a way to get an object to yield its class name, if only for printing. But I haven't been able to locate the e- mail thread where that was discussed. Was I hallucinating? (I really only want this for debugging, but if it's a supported function, it may be useful for dispatching on class type.) [2] initializing an object Is there a subclassable method that is called when you instantiate an object? or do have to instantiate then initialize manually, as in: public class Foo { Controller @ c; fun void init(Controller c) { c @=> this.c } } Foo foo; foo.init(x); [3] "natural" sorting of objects Is there any attribute of an object that you can reliably use as a sort key? I ask because I want to speed up searching of an array of objects (e.g. to see if an object is already present). As I understand it, I can't use a hash array since there are no iterators. I guess the question should be: what's the fastest way to maintain a *set* of objects (i.e. a collection in which an object may only appear once) with the usual operations for insertion, deletion and iteration? TIA. - rob

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new versions?
by Fernando Lopez-Lezcano 01 Oct '09

01 Oct '09

I realize that no new big things may have changed at the source level that would trigger a new release of chuck and, say, miniaudicle. But. Isn't it time to do it anyway? Anyone downloading and trying to compile either package from source in a modern up to date linux distro will find that the software does not build. Not a good first time experience. Chuck should move with the times, including patching it for stricter (current) gcc releases, etc, etc. IMHO, of course. -- Fernando

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Re: [chuck-users] implementing a set (was object / class hacking)
by Robert Poor 30 Sep '09

30 Sep '09

Hans: To simultaneously stand my ground and display my ignorance: I've written several flavors of hash tables in my life, but I'm not sure how the Stroustrup code sample helps in this case. If you are suggesting that I hack the Chuck source code, you should know that I do entertain such ideas from time to time, but I usually come back to my senses within 25::samp -- it's just not on my list of priorities. A "written entirely in ChucK" solution -- albeit non-optimal in execution speed -- is good enough for my needs. I'm more into optimizing my days than my milliseconds. Thanks, though. - Rob On 30 Sep 2009, at 14:01, Hans Aberg wrote: > On 30 Sep 2009, at 22:12, Robert Poor wrote: > >> To clarify: I'd like to implement a set for storing a collection of >> homogenous objects. Specifically, I need to be able to test for >> the presence of an object in the set, add an object to the set (if >> not already present), delete a object from the set, and iterate >> over all the objects in the set. This last requirements, sadly, >> eliminates Chuck's "associative arrays". >> >> It's worth pointing out that: >> >> arbitraryobject.toString() >> >> will generate a string of the form "ClassName:hexLocation". >> Assuming that Chuck NEVER (ever) relocates a live object in memory >> (Chuck has a reference counting GC, not a copying GC, true?), that >> string could be useful as a unique ID. But Chuck lacks the string >> operations to reduce a string into a hash key. > > Bjarne Stroustrup, "The C++ Programming Language", 3.1.3, has a > simple hash function: > name* look(const char* p, int ins=0); > name* insert(const char* s) { look(s, 1); } > > struct name { > char* string; > name* next; > double value; > } > > const TBLSZ = 23; > name* table[TBLSZ]; > > name* look(const char* p, int ins=0) { > int ii = 0; > const char* pp = p; > while (*pp) ii = ii<<1 ^ *pp++; // Hash function using eor: ii<<1; > ii ^= *pp++; > > if (ii < 0) ii = -ii; // Reduce to array range. > ii %= TBLSZ; > > for (name* n = table[ii]; n; n = n->next) // Search > if (strcmp(p, n->string) == 0) return n; > > if (ins == 0) error("name not found"); > > name* nn = new name; // Insert > nn->string = new char[strlen(p) + 1]; > strcpy(nn->string, p); > nn->value = 1; > nn->next = table[ii]; > table[ii] = nn; > return nn; > } > > Hans

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[ot] Technical Director and Audio Specialist positions at Princeton
by dan trueman 30 Sep '09

30 Sep '09

apologies for the off-topic posting, but i thought this might get the word it to a bunch of the right people; please share this with anyone or any lists you think appropriate, and direct questions my way. thanks!! dan Technical Director The Music Department at Princeton University is seeking a Technical Director of Electronic and Computer Music Studios and The Princeton Laptop Orchestra (PLOrk). The position provides technical facilities management support for the Music Department. The selected candidate will provide instruction and consultation on the use of facilities and on music technology in general, and will provide other services as needed for Music Department faculty and students. The Technical Director will analyze department technology needs; direct the purchase and maintenance of equipment to fill these needs; and design, install and maintain the Music Department’s electronic music studios. Additional duties include working with students and faculty on the design and implementation of experimental systems and interfacing with the Princeton University Office of Information Technology. The Technical Director performs production work for faculty recording projects, including editing, mixing, and mastering. He or she also serves as Assistant Director of the Princeton Laptop Orchestra (PLOrk) which includes the redesign, development and maintenance of PLOrk technologies, assistance in the instruction of core electronic and computer music courses, and creative contribution to, participation in, and support of, PLOrk performances both on and off-campus. Education required: Bachelor’s degree Essential qualifications: One to three years of direct or related experience, experience with contemporary audio software and hardware, and a working knowledge of music literature and musical style characteristics. Note: Five months of the year this position has a demanding work schedule and the successful candidate must be able to work evenings and weekends as needed. Preferred qualifications: Hardware and software RAID arrays, extensive experience in hardware maintenance and repair, data recovery and disposal software and strategies (ex: Boot n’ Nuke), diagnostic software and strategies (ex: SMART, PC-Doctor), security software and strategies (ex: Symantec Antivirus), Max/MSP, Supercollider, ChucK, basic practical electronics knowledge and skills, Protools and Final Cut Studio, Peak Pro, Digital Performer, Logic Studio, and audio software development skills. Also desirable is experience in programming and electronics, although it is assumed that most candidates will learn new skills while in the position. Graduate work in electronic/computer music and/or music composition is desirable. Full-time salary minimum: $51,100. Note: this is a half-time position. Depending on the candidate’s interests and qualifications, this position and the Audio Specialist position have the option of being combined into a single, full-time position. To apply: Applicants should submit their curriculum vitae, a cover letter and a list of the names and addresses of three people who are willing to write on their behalf by November 1, 2009. Princeton University is an equal opportunity employer and complies with applicable EEO and affirmative action regulations. Please apply online at http://jobs.princeton.edu +++++++++++++++++++++++++++++++++++++++ Audio Specialist The Department of Music at Princeton University is seeking an Audio Specialist. The position provides professional-quality audio engineering services and technical facilities management support for the Music Department’s performances in Taplin Auditorium, other campus venues and off-campus if required. The selected candidate will oversee concert recording, sound reinforcement and other audio services for Music Department faculty and students. The Audio Specialist will analyze department recording and sound reinforcement technology needs and direct the purchase and maintenance of equipment to fill these needs. Additional duties include working with students and faculty on the design and implementation of experimental systems and supervising the student position of assistant audio specialist. The Technical Director performs production work for faculty recording projects, including editing, mixing, and mastering. Education Required: Bachelor’s degree Essential Qualifications: One to three years of experience in audio/ recording technology and sound reinforcement, experience with contemporary audio software and hardware, working knowledge of music literature and musical style characteristics, microphone use and recording techniques. Note: Five months of the year this position has a demanding work schedule and the successful candidate must be able to work evenings and weekends as required. Preferred Qualifications: Audio software development skills, ProTools and Final Cut Studio, Peak Pro, Digital Performer, Logic Studio, Sibelius, Finale, Tonmeister Technology trained. Salary minimum: $47,800 for full-time position. Note: this is a half- time position. Depending on the candidate’s interests and qualifications, this position and the Technical Director position have the option of being combined into a single, full-time position. To apply: Applicants should submit curriculum vitae, a cover letter and a list of the names and addresses of three people who are willing to write on their behalf by November 1, 2009. Princeton University is an equal opportunity employer and complies with applicable EEO and affirmative action regulations. Please apply online at http://jobs.princeton.edu or (less preferred option)—mail to: Search Committee, Attention: Marilyn Ham, Princeton University, Department of Music, 310 Woolworth Center, Princeton, NJ 08544.

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rate parameter for StkInstruments?
by Robert Poor 30 Sep '09

30 Sep '09

A subset of StkInstruments (BlowBotl, BlowHole, Bowed, Brass, Clarinet, Flute, Saxofony) take a "rate" parameter. Looking at the source code suggests that it's supposed to control the envelope rate, but I'm not convinced. Setting to values between .001 and 1000.0 doesn't appear to make any audible difference, at least for the few cases I've tried, as in: Saxofony sax => JCRev r => dac; .5 => r.gain; .05 => r.mix; [ 61, 66, 63, 68, 65 ] @=> int notes[]; while( true ) { 0.5 => sax.stiffness; 0.5 => sax.aperture; 0.5 => sax.noiseGain; 0.5 => sax.blowPosition; 6.0 => sax.vibratoFreq; 0.1 => sax.vibratoGain; 0.5 => sax.pressure; for (.01 => float rate; rate <= 10000.0; 10.0 *=> rate) { <<< "rate: ", rate >>>; rate => sax.rate; for( int i; i < notes.cap(); i++ ) { Std.mtof( -12 + notes[i] ) => sax.freq; 0.6 => sax.noteOn; 300::ms => now; 1.0 => sax.noteOff; 100::ms => now; } } } The code examples don't show it being used. Can anyone shed light on the .rate parameter? (I was hoping to make a Clarinet or Saxofony with a sharper attack time, but now I'm simply curious.) - Rob

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Scala importer, FileIO capabilities
by Andrew C. Smith 28 Sep '09

28 Sep '09

All right, admit if you've made a Scala file importer. If not, it's about time that it was done, likely not to extend mtof() directly but rather as a separate public class/static method (like Scala.mtof or something). I know you're probably sick of hearing about microtonal things, but I've just been having a tough time getting a sustainable system going where I can work with an existing scale archive and develop my own tunings reasonably easily. I think a Scala converter is where it's at. If it hasn't been done, can someone tell me (before I send this to the dev list) where in the source the FileIO capabilities are? I just finished building ChucK with Xcode, so I'm ready to dive in and make some mistakes. Side projects for extending FileIO also include implementing the tinyXML file parser, which would let us easily parse XML files with ChucK. So, hands up if anyone has been working with FileIO to a large extent. Andrew

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hid questions
by Atte Andre Jensen 27 Sep '09

27 Sep '09

Hi I'm working a bit with HID at the moment. The goal is to get input from the buildin touchpad and keyboard into miniAudicle under linux. Problems (testing with mouse.ck and kb.ck from examples/hid): 1) I can't get the touchpads input into neither chuck or miniAudicle. An external usb mouse seems to work fine both in chuck and miniAudicle, though. I'd rather have the touch pad going for this purpose, though. 2) I can't get the keyboard into miniAudicle. It works fine in chuck, though. Any ideas are more than welcome! Nb: I'm on two laptops a toshiba (arch linux) and an eee (ubuntu 9.04) , although I'm still not able to run the mini under arch... -- Atte http://atte.dk http://modlys.dk http://virb.com/atte

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strange mini behaviour/ubuntu
by Atte Andre Jensen 26 Sep '09

26 Sep '09

Hi One of my students want to run miniAudicle under ubuntu 9.04. I helped him compile it, but for some reason it behaves quite strange. When the VM is started it shows run time of some large number (36276252.3645 or something) and when the first shred with sound-generating a ugen connected to dac is added the mini segfaults. I never saw this behaviour before, any idea what's up? NB: Sorry for the rather imprecise error report, I only saw his machine once, about a week ago... -- Atte http://atte.dk http://modlys.dk http://virb.com/atte

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Grains make garbage:(
by kurt 24 Sep '09

24 Sep '09

Hello all- I have been doing some granular synthesis in ChucK and I am trying to create overlapping grains without having resort to arrays of Ugens or similar methods to create polyphony. Although I have seen this technique used often, the following seems to eat up memory rather quickly (due to continuously sporking the SndBuf no doubt). //BEGIN CODE --> //use your own file here... Std.getenv("SSDIR")+"/"+"Percussion"+"/"+"snare.wav" => string filename; fun void voice(){ SndBuf s => Envelope e => dac; filename => s.read; .5 => s.gain; s.pos(Std.rand2(0, s.samples())); 5::ms => e.duration; e.keyOn(); 45::ms => now; e.keyOff(); 5::ms => now; } //spork away and make lots of overlapping SndBufs while (15::ms => now){ spork ~ voice(); } //<--END CODE I guess I am wondering if there is a way to release Ugen references or do I need to wait for garbage collection to liberally spork Ugens? I have looked over these threads... garbage collection: https://lists.cs.princeton.edu/pipermail/chuck-users/2009-March/003978.html https://lists.cs.princeton.edu/pipermail/chuck-users/2009-July/004473.html granular: https://lists.cs.princeton.edu/pipermail/chuck-users/2008-May/002917.html ...and they seem to indicate that i should declare a finite number of Ugens and juggle them somehow (not as cool as my RAM hungry example). The ability release unreferenced Ugens would facilitate the easy polyphony one gets when using Csound and really make ChucK awesomer (fingers crossed). Thanks ahead of time for any input. Kurt

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